As some friends already know, I’ve been following the 30 Reasons film project. Just found out that the website is now live. 30 Reasons is absolutely worth a look (watch the trailer).
From the latest of my weekly front page entries over at Sexyloops.com.
Years ago, I was fishing a small Montana spring creek regarded for its tricky drag/presentation situations and touchy trout. I had located a big fish feeding near the bank on a gentle bend in the creek. A mayfly hatch had the trout rising, pushing a small wake every time it surfaced. Having spooked a rather large rainbow earlier in the day with an approach that was too close, I decided to hang back, and drop a long Puddle Cast up-and-across to the fish.
Several casts, mends and drifts later, the fish was still rising, but not to my fly.
Read the rest of the story here.
One summer, my wife, Kelley, and I devoted a few days to fishing some of less-pressured stretches of Montana’s famed Gallatin River. While the public access points were stacked with Bozeman and Big Sky traffic, a bit of walking and wading often found us a quiet place on the river. One of those places still held the remnants of a modest channel. Its flows were slowed to a crawl by the summer sun, and its thread-bare riffles babbled softly into two deep pools.
Read the rest of the story here.
So what’s the status of Single-Handed Fly Casting? INKING! That’s me with a laptop, a pen, and a pack of transparency film. At least the process is way faster than finding all the video frames on which the inking in based (that took about 10 full no-fun days). I ink, I scan, I clean-up, I vectorize, I finalize, I place, I caption. That’s the process until I read (one last time), and then I print (1,001 times). Then, I hope that my readers enjoy.
For those who have signed up for a copy of SHFC, I’ll likely send out the “please pay now” email when I am finalizing the “I finalize” part. The placing and captioning go fast, relatively speaking.
I’ve been talking with disabled angler Martin Clemm about a new film project entitled, 30 Reasons. The production is of real quality, and Martin wants to do it right in order for the film to be an inspiration to many. Funding is only partially there at this point, but that’s a topic for another post. For now, take a look at what Martin’s 30 reasons are all about, and the beginning of his focused journey back into a fly fishing life.
My front page over at sexyloops.com today starts this way:
“Fly casting is the physical skill of fly fishing.”
I grew up with that mantra playing through my head. Certainly there are other “physical” aspects of fly fishing, but it is in casting where the serious hand-eye coordination and use of the physical body come into the most play. Pain or injury—whether preexisting or caused by casting—can impact the game significantly.
The page deals with a healthier cast–not the rod and line mechanics, but the human side. I’ve been involved in caster health since 2002, when I met Dr. Tim McCue and was involved in his survey of pain incidence among casting instructors. We’ve since gone on to do much more through the Fly Casting Institute, including working with friends and colleagues who were preparing biomechanics papers. While one can only say so much in a short article, you can check out the complete read here:
Working through dozens of HD video clips isolating images for my casting book. Came across this example of a tailing loop. Check out the rod flexure, line flow, and ultimate crossing problem in the final loop shape (this loop actually contacted the rod). While I enjoy beautiful casting as much as anyone, I also like casting this type of thing on video to see the carnage.
And in case anyone is wondering, no, I am not using actual photos like this for the book. I’d never do that (I consider these garbage as far as the overall visuals; far too much background noise). These are used solely for building illustrations, so I don’t really care about backgrounds, foregrounds, or anything else that’s pretty, ugly, or whatever. As long as I can see the rod and line, I’m good. I do have a killer location for shooting video. Maybe the place I’ll shoot a real casting video some day. It’s 2,000 miles from me right now, and I’d have to get clever with cameras (since I shoot myself), but it would be sweet….
UPDATE: A little tweaking to make the final tailing loop more obvious:
So, I’ve been asked a number of times on facebook and elsewhere if my upcoming casting book focuses primarily on a vertical (overhead) casting stroke/style. No. I just haven’t posted pix of other stroke types yet. I cast with and fish with whatever gets the job done in the way I want to get it done. Here’s an except from the book that explains a bit of my approach to strokes/styles:
The vertically oriented Foundation Casting Stroke will be used to directly build the Overhead Cast. Then, the Foundation Casting Stroke will be angled (tipped to each side) to create various forms of the Side-Arm Cast, the Cross-Body Cast and the Across-The-Head Cast—all of which are casts made at orientations other than vertical. Following the various angled casts will be the Elliptical Cast, where the arm travels back and forth in distinctly different planes. Along with the changes/combinations of plane, the movements of casting will be both tightened and stretched out, with the casting arm traveling along both shorter and longer pathways.
In 2001–2002, I assisted Dr. Tim McCue with a survey on the incidence of fly-casting injury among casting instructors (subsequently published in the journal, “Wilderness & Environmental Medicine”). Out of that survey came a number of findings, including one showing that casters who utilized multiple casting styles (overhead, elliptical, sidearm, etc.), had the lowest overall pain incidence of any group.
So, by starting with the Foundation Casting Stroke, and then using that to create a collection of other strokes, you can hopefully build a highly effective, and lower stress casting environment that covers many angling needs.
I mention a lot of friends and fellow casters/instructors in Single-Handed Fly Casting. One of those friends is Christopher Rownes. I’ve known Christopher for years, and always enjoy watching his casting videos (they aren’t as much about instruction as about enjoying casting for its flow and beauty). If you are an instructor or caster who loves the flow, check out a little of Chris’s work here: